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In modern times mosaic has come to be outlined as any sample or image produced from many multiple pieces. Mosaic could be found in a variety of forms from conventional murals and pavements, to contemporary artworks, pastime craft items and industrial and building forms. Mosaics were traditionally used as decoration for flooring and partitions turning into very popular across the Ancient Roman World.

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In the Church of the Apostles the middle of the main panel Thalassa, goddess of the ocean, can be seen surrounded by fishes and other sea creatures. Native Middle Eastern birds, mammals, plants and fruits were additionally added. Mosaics had greater intrinsic longevity than either frescoes or canvases. The Nea Moni Monastery on Chios was established by Constantine Monomachos in 1043–1056.

In comparison with Osios Loukas Nea Moni mosaics contain more figures, element, panorama and setting. A specific style of Roman mosaic was known as asaroton (Greek for 'unswept ground'). It depicted in trompe l'oeil style the feast leftovers on the floors of rich homes. Epiphany of Dionysus mosaic, from the Villa of Dionysus (2nd century AD) in Dion, Greece.

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The remains of a 6th-century synagogue have been uncovered in Sepphoris, which was an necessary centre of Jewish tradition between the third–7th centuries and a multicultural city inhabited by Jews, Christians and pagans. The mosaic reflects an interesting fusion of Jewish and pagan beliefs. Helios sits in the center, in his sun chariot, and each zodiac is matched with a Jewish month. Along the sides of the mosaic are strips depicting Biblical scenes, such as the binding of Isaac, in addition to conventional rituals, together with a burnt sacrifice and the providing of fruits and grains. The city of Madaba remained an important middle of mosaic making through the fifth–eighth centuries.