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A mosaic panel was unearthed which was dated to the ninth century. It considerably incongruously makes use of cubes of gilded glass and deep green marble, in all probability taken from antique pavements.

The Norman kings adopted the Byzantine custom of mosaic ornament to reinforce the somewhat dubious legality of their rule. Greek masters working in Sicily developed their own style, that exhibits the affect of Western European and Islamic artistic tendencies. Best examples of Sicilian mosaic artwork are the Cappella Palatina of Roger II, the Martorana church in Palermo and the cathedrals of Cefalù and Monreale. The nice Navicella mosaic (1305–1313) in the atrium of the Old St. Peter's is attributed to Giotto di Bondone. The giant mosaic, commissioned by Cardinal Jacopo Stefaneschi, was originally situated on the jap porch of the old basilica and occupied the whole wall above the doorway arcade dealing with the courtyard.

The monastery of Grottaferrata based by Greek Basilian monks and consecrated by the Pope in 1024 was embellished with Italo-Byzantine mosaics, some of which survived within the narthex and the inside. The mosaics on the triumphal arch portray the Twelve Apostles sitting beside an empty throne, evoking Christ's ascent to Heaven. The apse of the San Cipriano Church in Murano was embellished with a powerful golden mosaic from the early 13th century showing Christ enthroned with Mary, St John and the 2 patron saints, Cipriano and Cipriana. When the church was demolished within the nineteenth century, the mosaic was bought by Frederick William IV of Prussia.

The central medallion enclosed a menorah (candelabrum) beneath the word shalom (peace). Under Roman and Byzantine affect the Jews also embellished their synagogues with classical ground mosaics. Many fascinating examples have been found in Galilee and the Judean Desert.

It was reassembled in the Friedenskirche of Potsdam in the 1840s. The Cappella Palatina clearly reveals proof for blending the jap and western types. The dome (1142–42) and the eastern end of the church (1143–1154) had been embellished with typical Byzantine mosaics i.e. The narrative scenes of the nave (Old Testament, life of Sts Peter and Paul) are resembling to the mosaics of the Old St. Peter's and St. Paul's Basilica in Rome (Latin inscriptions, 1154–sixty six). The heyday of mosaic making in Sicily was the age of the unbiased Norman kingdom within the twelfth century.

More fragments have been found on the site of Saint-Croix at Poitiers which could be from the sixth or ninth century. The Abbot of Monte Cassino, Desiderius sent envoys to Constantinople a while after 1066 to rent professional Byzantine mosaicists for the ornament of the rebuilt abbey church. According to chronicler Leo of Ostia the Greek artists embellished the apse, the arch and the vestibule of the basilica. Their work was admired by contemporaries however was totally destroyed in later centuries except two fragments depicting greyhounds (now in the Monte Cassino Museum).

The House of Leontius in Bet She'an (excavated in 1964–72) is a uncommon instance of a synagogue which was part of an inn. The colourful mosaic floor of the synagogue room had an outer stripe adorned with flowers and birds, round medallions with animals, created by vine trellises rising from an amphora.

The Arab conquest of the Middle East in the seventh century did not break off the art of mosaic making. Arabs discovered and accepted the craft as their very own and carried on the classical tradition. The japanese provinces of the Eastern Roman and later the Byzantine Empires inherited a powerful inventive tradition from the Late Antiquity.

Similarly to Italy and Constantinople churches and necessary secular buildings in the region of Syria and Egypt have been adorned with elaborate mosaic panels between the 5th and 8th centuries. The great majority of those artworks have been later destroyed but archeological excavations unearthed many surviving examples. Only scant remains prove that mosaics have been still used in the Early Middle Ages. The Abbey of Saint-Martial in Limoges, initially an important place of pilgrimage, was totally demolished through the French Revolution except its crypt which was rediscovered in the 1960s.

This could also be the case with the early 9th century mosaic discovered underneath the Basilica of Saint-Quentin in Picardy, the place vintage motifs are copied but using solely simple colors. The mosaics within the Cathedral of Saint-Jean at Lyon have been dated to the 11th century as a result of they make use of the identical non-antique simple colours.